When, around Christmas, journalists and other commentators discuss what they consider to be the most memorable depictions of the holidays and related themes in “global cinema”, one title that consistently finds its way into these discussions is an anime film – Tokyo Godfathers, directed by Satoshi Kon. Kon, tragically passed away from pancreatic cancer on August 24, 2010 at the age of 47. At the time of his death, he was already recognized as one of the most prominent directors working in Japanese animation, and since then, his stature has only grown. Accordingly, while reflecting on the anime that he contributed to, it is also important to mark how anime scholars have approached his work.

Previously, I presented a basic content analysis of scholarly works on Satoshi Kon’s films, with the goal of determining which ones of his films were the most frequently studied. And now, supplementing this, I believe it is also useful to present essentially a comprehensive bibliography of English-language scholarly publications on Satoshi Kon and his works, especially designed to commemorate both the 60th anniversary of his birth, and 30 years since the first such publication.

As with other similar specialized resources, this bibliography is based on materials in the larger Bibliography of Anime and Manga Studies. It is based on searches for relevant terms in various major specialized academic databases, as well as in Google Scholar, and, where possible, direct examinations of relevant publications to identify other cited materials. The earliest article in the bibliography that I am currently away of is dated 1993 – on Kon’s manga World Apartment Horror; the most recent is from earlier this year, on “giallo tropes and gender in Perfect Blue“. Between these are 36 other publications – for a total of 38 – consisting of 1 full-length monograph, 7 chapters in edited essay collections, and 30 individual articles in peer-reviewed scholarly journals. And, with as many as six of these added in just the last two years, it may be entirely safe to assume that non-Japanese scholars will continue to be interested in Satoshi Kon and his works for the foreseeable future.

Satoshi Kon – A Bibliography of English-language Scholarly Publications – 1993-2023-?

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2011

  • Wells, Paul. Playing the Kon trick: Between dates, dimensions and daring in the films of Satoshi Kon. Cinephile: The University of British Columbia’s Film Journal, 7(1), 4-8.

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2004

  • Sharp, Jasper. Perfect Blue – Satoshi Kon, Japan, 1997. In Justin Bowyer (Ed.), The Cinema of Japan and Korea (pp. 161-168). London, UK: Wallflower Press.
  • Yokota, Mamao. Satoshi Kon’s transition from comics to animation. International Journal of Comic Art, 6(1), 250-265.

1993

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