Editor: Roman Rosenbaum
Publisher: Routledge (Abingdon, UK)
ISBN: 978-0-415-69423-0
Contents:
- Rosenbaum, Roman. Introduction: The representation of Japanese history in manga (pp. 1-17).
- Hutchinson, Rachael. Sabotaging the rising sun: representing history in Tezuka Osamu’s Phoenix (pp. 18-39).
- Rosenbaum, Roman. Reading Showa history through manga: Astro Boy as the avatar of postwar Japanese culture (pp. 40-59).
- Ropers, Eric. Representations of gendered violence in manga: The case of enforced military prostitution (pp. 60-80).
- Luebke, Peter C. and Dinitto, Rachel. Maruo Suehiro’s Planet of the Jap: Revanchist fantasy or war critique? (pp. 81-101).
- Heinze, Ulrich. Making history herstory: Nelson’s son and Siebold’s daughter in Japanese shojo manga (pp. 102-120).
- O’Dwyer, Emer. Heroes and villains: Manchukuo in Yasuhiko Yoshikazu’s Rainbow Trotsky (pp. 121-145).
- Penney, Matthew. Making history: Manga between kyara and historiography (pp. 146-170).
- Sutcliffe, Paul. Postmodern representations of the pre-modern Edo period (pp. 171-188).
- Shields, James Mark. ‘Land of kami, land of the dead’: Paligenensis and the aesthetics of religious revisionism in Kobayashi Yoshinori’s ‘Neo-Gomanist Manifesto: on Yasukoni’ (pp. 189-216).
- Raddatz, Raffael. Hating Korea, hating the media: Manga Kenkanryu and the graphical (mis-)representation of Japanese history in the Internet age (pp. 217-233).
- Ng, Benjamin Wai-Ming. The adaptation of Chinese history into Japanese popular culture: A study of Japanese manga, animated series and video games based on The Romance of the Three Kingdoms (pp. 234-250).
- Rosenbaum, Roman. Towards a summation: How do manga represent history? (pp. 251-258).