Editors: Nissim Otmazgin & Rebecca Suter
Publisher: Palgrave Mamillan (New York)
Otmazgin, Nissim. Introduction: Manga as “banal memory” (pp. 1-26).
Part 1: Historicizing Political Manga
- Lewis, Michael. Kitazawa Rakuten as popular culture provocateur: Modern manga images and riotous democracy in early twentieth-century Japan (pp. 29-56).
- Shaughnessy, Orna. Early Meiji manga: The political cartoons of Kanakagi Robun and Kawanai Kyosai (pp. 57-72).
Part II: Postwar Manga as History
- Mason, Michele M. Bodies of anger: Atomic survivors in Nakazawa Keiji’s Black Series manga (pp. 75-94).
- Rosenbaum, Roman. Redacting Japanese history: Ishinomori Shotaro’s graphic narratives (pp. 95-110).
- Hartley, Barbara. Manga, history, and telling stories of the past: Narrative strategies in Shanao Yoshitsune (pp. 111-130).
Part III: Decoding and Recording History: Manga Reception and Parody
- Bukh, Alexander. Hate the “Korean Wave” and “Introduction to China”: A case study of Japanese university students (pp. 133-150).
- Miyake, Toshio. History as sexualized parody: Love and sex between nations in Axis Powers Hetalia (pp. 151-174).
- Suter, Rebecca. Reassessing manga history: Resituating manga in history (pp. 175-184).
Hood, Christopher. Mutual Images: A Transcultural Research Journal, 4. (OPEN ACCESS)