Category: Programs


Nov
2023

Roundtable – Welcome to Anime/Manga Studies

categories: Announcements, Programs


TUESDAY, November 21
2:00 p.m. (Eastern time)
https://tinyurl.com/mvzedsxm (Zoom)

– Ever thought about writing a college paper on themes and images in Attack on Titan?
– Wanted to take a class on the history of girls’ manga?
– Are intrigued by a book on the many different ways that Japanese manga authors have adapted characters and images from Alice in Wonderland?

Just curious about what “anime and manga studies” even means?

Anime and Manga Studies Projects presents a live interactive discussion introducing the idea of scholarly approaches to Japanese comics and animation and the academic field of anime/manga studies.

  • What is anime and manga studies
  • What do we want to accomplish by approaching anime/manga this way?
  • What kinds of questions can we ask?
  • Who participates in this field
  • What themes and topics are anime/manga scholars interested in exploring?
  • Do I need to be a college professor to participate
  • Do I need to be a Japanese studies scholar to participate

For this discussion, a group of leading anime/manga scholars, from different backgrounds, and at different stages in their careers will share their thoughts, opinions, and experiences.

And we will be happy to answer any questions you may have – about how we chose this field, what exactly we do, and why – and how you too can join us!

Featuring:

Prof. Brent Allison
Social Foundations & Leadership Education
University of North Georgia

Prof. Mimi Okabe
Japanese Cultural Studies
University at Buffalo

author of
Manga, Murder and Mystery: The Boy Detectives of Japan’s Lost Generation

Zoe Crombie
PhD candidate, Film Studies
Lancaster University

Moderator: Mikhail Koulikov
(Executive Producer, Anime and Manga Studies Projects)

Have any questions you would like to ask the speakers, topics you want to see us talk about, issues you feel we need to discuss?

Please send your suggestions to mik@animemangastudies.com!


Nov
2023

Japan Foundation Presents – Mecha-Anime

categories: Announcements, Programs

In Anime: A Critical Introduction, Rayna Denison uses the phrases “a cultural phenomenon” and “a sliding, shifting category of media production” to describe Japanese animation. When we think about anime this way, it’s also only natural to consider different genres within anime – one of the most iconic is “mecha” – in the definition that Giuseppe Gatti succinctly provides – “narratives of giant robots piloted by a human within”.

Mecha anime first appeared in the 1970’s, and the genre then evolved in several different directions. Some of the most well-known Japanese animation films and television series of the last several decades belong to the genre, and every year, at least several others try to expand its possibilities. And, for that matter, it is also no surprise that mecha has also attracted a significant amount of scholarly interest – just some examples are essays such as Between the child and the mecha – a reading of the anime series Rahxephon as “an allegory of Lacan’s landmark description of the three stages of subject development”, and “Peace through understanding”: How science-fiction anime Mobile Suit Gundam 00 criticizes US aggression and Japanese passivity.

And now, on November 10, as a part of the Kotatsu Japanese Animation Festival 2023, the Japan Foundation, London is hosting animation journalist and scholar Ryota Fujitsu who will present a lecture on the history of mecha, the way the genre’s features have developed over the years, and some of drivers for these developments.

Friday, November 10, 2023
1:30 p.m. (Eastern time)
REGISTRATION

FUJITSU Ryota is one of Japan’s leading animation critics. He has lectured in the Animation Studies program at Tokyo Polytechnic University, and served as a programming advisor for the Animation Section of the Tokyo International Film Festival. His publications include アニメ「評論家」宣言 / Anime Hyoronka Sengen (Anime Critic’s Declaration), Tokyo: Fusosha, 2003, チャンネルはいつもアニメ――ゼロ年代アニメ時評 / Channeru wa Itsumo Anime: Zero Nendai Anime Jihyō (We’ve Been Watching Anime All the Time, When We Sit in Front of TV!), Tokyo: NTT Shuppan, 2010, a collection of personal reflections and notes on television anime in the years from 2000 to 2010, and アニメと戦争 / Anime to sensō (Anime and War), Tokyo: Nippon Hyoron sha, 2021.


Jul
2022

Mechademia June 2022 – Migration and Transition

categories: Programs

When in 2001, the Minneapolis College of Art & Design hosted a “Weekend Intensive study in the culture and creation of Japanese Manga (Comics) and Anime (Animation)” under the title Schoolgirls & Mobilesuits, it was one of the first events of its kind anywhere in the world. In the more than 20 years that have passed since, the idea of an academic workshop or symposium on anime/manga is no longer particularly novel, and that first SGMS event gave rise to Mechademia, a series of annual conferences held first at MCAD, and later, in several locations in South Korea and Japan. The Mechademia conferences also played a significant role in the launch in 2006 of Mechademia: An Annual Forum for Anime, Manga and the Fan Arts, which was then published for 10 issues, went on hiatus, and has since returned as Mechademia: Second Arc, with a twice-yearly publication schedule and a more expanded subject focus.

As was the case with most live events, Mechademia did not take place in either of the last two years, but returned last month, though with a major change in location to Los Angeles, to more closely co-incide with Anime Expo, the largest anime convention in the U.S., also returning live after after a two-year-break. And, although it has now been several weeks since Mechademia 2022, I think it’s important to preserve and present the schedule for this year, even as a guide to the range of subjects and topics that an event of its kinds and scope could cover, and the speakers it attracted.

Mechademia 2022 – Migration and Transition

Tuesday, June 28

10:00 a.m. – Panel 1
Definitions and Delineations

Transcultural Perspectives on Moe: Fan Theories, Discourses
Paul Ocone (University of Maryland, Baltimore County)

Rise of the Weeaboo: Differentiating Japanese Otaku from Global Anime and Manga Fans
Ana Matilde Sousa (CIEBA – Artistic Studies Research Center, University of Lisbon)

10:00 a.m. – Panel 2
Outsiders: Assimilations and Erasures

‘Time is the Last Sacred Territory’: Tenuous Temporalities and Ainu Erasure in Naoko Takeuchi’s Pretty Guardian Sailor Moon
Taylor Janeen Pryor (Cornell University)

Glimpses of the Gaikokujin: Engaging with the ‘Outsider’ in Modern Manga
Ananya Saha (Assistant Professor, English, St. Xavier’s University, Kolkata)

1:00 p.m. – Panel 1
Dislocated Identities

I Love, Therefore I Am: Dismantling the Cartesian Dichotomy and Unifying the Self in Ghost in the Shell
Maria Grajdian (Associate Professor, Media Studies and Cultural Anthropology, Hiroshima University)

Society Eats Their Own: The Transnational Image of the Cannibal
Wendy Goldberg (Lecturer, Composition & Rhetoric, University of Mississippi) (more…)


May
2022

‘Manga in a Postdigital Environment’ Symposium

categories: Programs

On May 30-31, Universida de Vigo, Pontevedra Campus, will host an international academic symposium entitled Manga in a Postdigital Environment. The symposium, organized by the research group DX5 is open to the public, and also will be broadcast online via Zoom. For additional information, including registration instructions, please contact grupodx5@uvigo.es.

The full program will consist of 12 individual presentations, with speakers from a number of leading European and Japanese universities, representing the cutting edge of global manga studies. For more details, including abstracts of the presentations and further details about the speakers, please see full symposium program.

Monday, May 30

10:00 a.m. – Opening Remarks

– Jorge Soto (Vice-Rector, Pontevedra Campus, Universidade de Vigo)
– Ana Soler (Director, dx5 Research Group)
– Jose Andres Santiago (Symposium Coordinator)

10:15 a.m.
From Cover to Page. From Title to the Speech Balloon: An Analysis of Typographic Applications in Naruto and Bleach
– Jose Andres Santiago (Universidade de Vigo)
– Tatiana Lameiro Gonzalez (Universidade de Vigo) (more…)


Aug
2019

‘What is Manga’ British Library Symposium

categories: Programs

One of this year’s major cultural events related to Japan has been the Manga exhibition hosted by the British Museum – “the largest exhibition of manga ever to take place outside of Japan.” It opened on May 23, and immediately received significant critical attention. The Economist praised it as a “dynamic, exuberant and ambitious celebration of Japan’s comic-art narrative form”, as did the Financial Times, while responses in The Guardian (“asking us to compare today’s graphic artists with greats of the past is misguided”) and The Telegraph (“is Manga really as significant as Rodin and the Ancient Greeks?”) were not as enthusiastic. In any case, an exhibition of this scale – and at this kind of venue – attracts attention.

And now, following up on the exhibition’s success, and connected to it, the British Library has announced plans to host a special one-day What is Manga academic symposium that will bring together many of the world’s leading scholars of manga specifically and comics/sequential art in general, as well as museum practitioners, and a range of international perspectives for a discussion on manga in a global context and the role of cultural institutions such as the British Museum in preserving, presenting, and promoting manga. The Symposium is open to the public, but tickets must be purchased via the British Library website.

What is Manga – Exploring Japanese Manga and Visual Narratives
[full program – PDF]

Friday, August 23
10:00 a.m. – 5:30 p.m.
The British Library
Knowledge Centre Theatre
96 Euston Road
London NW1 2DB

Schedule:

10:20 a.m.
Opening Remarks
Dr. Eugenia Bogdanova-Kummer (Sainsbury Institute for the Study of Japanese Arts and Cultures)

10:30 a.m.
Keynote Address
Manga Studies’ “Manga” and the Outsider Perspective: Intercultural Observations
Prof. Jaqueline Berndt (Stockholm University)

Dr. Berndt is one of the world’s leading scholars of Japanese comics. He work has included editing the essay collections Manga’s Cultural Crossroads and Reading Manga: Local and Global Perceptions of Japanese Comics, a number of individual chapters and journal articles that have been fundamental to shaping the field of manga studies (particularly important examples include ‘Historical adventures of a post-historical medium: Japan’s wartime past as represented in manga’, ‘Manga, which manga? Publication formats, genres, users’, and ‘Reconsidering manga discourse: Location, ambiguity, historicity’), and teaching several pioneering classes

11:00 a.m. – 1:20 p.m.
Panel 1: Manga and Comic Theory and Iconography (manga hyōgenron) (more…)


Apr
2019

‘Untold History of Japanese Comics: Prewar & LGBTQ+ Manga’ Symposium

categories: Programs

Continuing its series of public talks on major topics in manga studies – and expanding the range of topics that scholars who work in the field present to public audiences – the Japanese Program at Baruch College (City University of New York) has announced the latest one in the series. The theme for the talk, the fifth one so far, is Untold History of Japanese Comics: Prewar and LGBTQ+ Manga. Other scholars, such as Ryan Holmberg in Manga Shonen: Kato Kenichi and the Manga Boys, and William S. Armour in Representations of the Masculine in Tagame Gengoroh Ero SM Manga have explored these topics to some degree, but the Baruch Manga Symposium is a unique opportunity for a leading scholar and an award-winning public intellectual, with extensive experience in the manga industry and a personal relationship with several leading manga creators, to share their knowledge directly with the public.

Thursday, April 18
12:40 p.m. – 2:10 p.m.
Baruch College
55 Lexington Avenue, VC12-150
New York, NY 10010

Dr. Andrea Horbinski
Norakuro and Friends: The Rise, Fall, and Triumph of Children’s Manga, 1916-1957

Dr. Horbinski received a Ph.D. in history from the University of California, Berkeley, and is currently working on a book on the history of Japanese comics, tentatively to be entitled “Manga’s Global Century”. Her publications include Record of Dying Days: The Alternate History of Ooku (in Mechademia, v. 10), and Even a Monkey Can Understand Fan Activism: Political Speech, Artistic Expression, and a Public for the Japanese Dôjin Community (with Alex Leavitt, in Transformative Works and Cultures, 10). Last year, she received an Honorable Mention in the Best Graduate Student Conference Presentation category at the inaugural Comics Studies Society Prizes.

Anne Ishii
From Niche to Mainstream: The Crossover Success of Gay Manga

Ms. Ishii has extensive experience translating and adapting manga, including working on the Eisner Award-winning My Brother’s Husband, and in marketing and publicity with a U.S. manga publishing company. She is currently the executive director of the Asian Arts Initiative.

The Symposium is open to the public, but registration is REQUIRED.


Mar
2019

Anime and Manga at the PCA 2019 Annual Conference

categories: Programs

PCAThe annual conference of the Popular Culture Association (PCA) brings together scholars whose research involves a very wide range of topics across many different subject areas – “adolescence”, “animation”, “fan culture & theory”, “science fiction and fantasy”, “visual culture”, and literally dozens more. The 2019 Annual Conference will be held in Washington, DC, from April 17 to April 20, and, as in many previous years, Japanese animation and comics are covered in a number of presentations, including in two dedicated sessions. Taken together, these talks can be seen as a very good survey of the current state of English-language anime and manga studies – the topics that scholars are interested in exploring, the approaches they are taking, and the specific titles they are interested in.

PCA National Conference
April 17-20, 2019
Marriott Wardman Park Hotel
Washington, DC

[Full Program]

Thursday, April 18:

9-45 a.m. – 11:30 a.m.

Animation VI: Commercialism, Consumerism, and Fan Aspects of Animation
– Anime Fandom in Convergence Culture: Gratifications of Anime Fan Production
Erika Junhui Yi

Mythology in Contemporary Culture I: The Epic Present: Contemporary Revisionings of Homeric Myth
– From Mythological Figures to Anime’s Characters: Girls and Women in Ulysses 31 (Jean Chalopin and Nina Wolmark, 1982)
Caroline Eades (University of Maryland, College Park)

11:30 a.m. – 1:00 p.m.

Fan Culture & Theory Negotiating (Fandom) Identity
– Transnational FANac: Examining fan practices among anime and manga fans outside of Japan
June Madeley (University of New Brunswick)

(more…)


Dec
2018

Intersections: Fan Studies in Conversation in Japan Symposium

categories: Programs

Sophia ICCSunday, December 16
10:00 a.m. – 7:30 p.m.
Sophia University Yotsuya Campus – Building no. 2, Room 1702
7-1 Kioicho, Chiyoda-ku, Tokyo 102-8554 JAPAN

As an academic field, fan/fandom studies is robust and well-established – with its current state covered by comprehensive surveys such as Fandom: Identities and Communities in a Mediated World, 2nd Edition and A Companion to Media Fandom and Fan Studies, new research appearing in the Journal of Fandom Studies, teaching in programs like the Fandom, Cult Studies, and Subculture Studies minor at DePaul University, as well as various individual classes, and the Fan Studies Network connecting scholars around the world. And, as the field evolves and expands, certain conversations develop and certain questions are asked. For example, one of the chapters in A Companion to Media Fandom and Fan Studies is “The Unbearable Whiteness of Fandom and Fan Studies” (although the author acknowledges,  in a note, that “there is work, however, on the practices of media fandom outside of Europe and the United States that focuses on fans who would in the United States be understood as people of color, such as, for example, work on fandoms in Asia” – perhaps largely negating the hyperbolic title). One kind of conversation that is crucial to the continuing development of fan studies is one that acknowledges global perspectives on fans and fandom, and builds connections between scholars in different countries and with different approaches.

And it is to facilitate just these kinds of conversations that the Sophia University Institute of Comparative Culture is hosting a one-day symposium entitled Intersections: Fan Studies in Conversation in Japan. Organized by leading fan studies scholars Lori Morimoto, Nele Noppe, and Patrick W. Galbraith. It will be be free, open to the public, and conducted entirely in English. The Symposium will serve “as a step in the direction of greater contact between scholars based in the United States, the United Kingdom and Japan, who all focus on media and fan cultures, but in diverse ways. The goal is not only to encourage conversation and collaboration across dividing lines, but also to critically assess some of the assumptions and blind spots in fan studies today.” Several of the talks will directly address anime/manga and anime/manga fans and fandom. (more…)


Oct
2018

Kumoricon 2018 Anime and Manga Studies – Final Schedule

categories: Announcements, Programs

Kumoricon logoFor the first time, the program for this year’s Kumoricon anime convention, which will run from Friday, October 26 to Sunday, October 28 at the Oregon Convention Center is going to include a track of academic panels and lectures under the heading Kumoricon Anime and Manga Studies (KAMS). As described by its organizers, “KAMS is a new series of programming featuring academic panels and lectures, hosted at Kumoricon, with the goal of bringing together anime and manga scholars and fans and exposing the discipline’s insights to a larger audience of enthusiasts. Our 2018 presenters hail from 11 different universities from 3 different countries.”

The Call for Papers for KAMS was distributed starting in April of this year – the resulting program is as follows:

Kumoricon Anime and Manga Studies – Intertextual Anime (more…)


Aug
2018

Manga at the Comics Studies Society 1st Annual Conference

categories: Programs
CSSRegardless of how one thinks about the idea of “manga studies” specifically, the idea of “comics studies” in general as an established academic field is long past being in any way controversial. The field is now covered by major commercial and academic presses – including several with dedicated series such as Bloomsbury Comics Studies, Comics Culture (Rutgers University Press), Palgrave Studies in Comics and Graphic Novels,  Studies in Comics and Cartoons (The Ohio State University Press), and World Comics and Graphic Nonfiction (University of Texas Press), as well as number of journals, and regular academic conferences, and several colleges around the U.S. are now offering formal comics studies programs.
Another major feature that characterizes an established academic field is a defined community of scholars who are actually working in it, organized formally in some way. The Comics Studies Society, first organized in 2014, is this community for the field of comics studies broadly defined – as being “open to all who share the goals of promoting the critical study of comics, improving comics teaching, and engaging in open and ongoing conversations about the comics world”, with “comics studies” meaning “the study and critical analysis of comics strips; comic books, papers, and magazines; albums, graphic novels, and other graphic books; webcomics and other electronic formats; single-panel cartoons, including editorial and gag cartoons; caricature; animation; and other related forms and traditions.” Since its launch, the Society has been promoting resources in and for comics studies through its website, developing an annual award program for outstanding new scholarship on comics, and began publication of another new academic journal in the field. But its major area of activity has been the launch of an annual academic conference.

(more…)