Editors: Lindsay Coleman, Rayna Denison, & David Desser
Publisher: University of Hawaii Press
ISBN:
– 9-798-8807-0102-5
(hardcover)
– 9-798-8807-0106-3
(e-book)
Purchase
– Amazon
– University of Hawaii
Online Access:
doi.org/10.1515/9798880701049
Contents
- Coleman, Lindsay, Denison, Rayna, & Desser, David. Introducing Takahata Isao (pp. 1-24)
- McCarthy, Helen. Doing the Time Warp: Magical realism and community dynamics in the early films of a Twentieth-century Japanese Socialist (pp. 25-46).
- Yoshioka, Shiro. A consecrated biography: Takahata Isao, from anonymity to “respectable filmmaker” (pp. 47-70).
- Ashmore, Darren-Jon. Heidi, a Girl of the Alps: Bildungsroman and World Masterpiece Theater (pp. 71-87).
- Clements, Jonathan. Chie the Brat in anime history (pp. 88-102).
- Denison, Rayna. Nature, environmentalism, and documentary realism in The Story of Yanagawa’s Canals (pp. 103-126).
- Coleman, Lindsay. The author’s prerogative: Arguments against Grave of the Fireflies functioning as an anti-war text (pp. 127-146).
- Desser, David. Only Yesterday, nostalgia, and the Ozu-esque (pp. 147-174).
- Lamarre, Thomas. Animative justice: Animism and the problem of indigeneity in Pom Poko (pp. 175-201).
- Montero-Plata, Laura. Breaking the rules through the changing thickness of the line: My Neighbors the Yamadas (pp. 202-229).
- Napier, Susan. An auteur’s final fantasy: Princess Kaguya and the interrogation of the real (pp. 230-246).