Tag: Eisner Awards

2020 Eisner Awards – Manga Studies Nominee

The organizers of the San Diego Comic Convention / Comic-Con International have announced the titles and individuals nominated for the 2020 Will Eisner Comic Industry Awards in various categories, including Best Scholarly/Academic Work. And, for the second time since the category was first introduced in 2012, one of the books nominated in it specifically deals with Japanese comics. The nominated book is Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities (Palgrave Macmillan).

Women’s Manga in Asia and Beyond offers a variety of perspectives on women’s manga and the nature, scope, and significance of the relationship between women and comics/manga, both globally as well as locally…The edited volume elucidates social and historical aspects of the Asian wave of manga from ever-broader perspectives of transnationalization and glocalization. With a specific focus on women’s direct roles in manga creation, it illustrates how the globalization of manga has united different cultures and identities, focusing on networks of women creators and readerships.

Taking an Asian regional approach combined with investigations of non-Asian cultures which have felt manga’s impact, the book details manga’s shift to a global medium, developing, uniting, and involving increasing numbers of participants worldwide. Unveiling diverse Asian identities and showing ways to unite them, the contributors to this volume recognize the overlaps and unique trends that emerge as a result.”

Edited by Fusami Ogi (Chigushi Jogakuen University), Rebecca Suter (The University of Sydney), Kazumi Nagaike (Center for International Education and Research, Oita University), and John A. Lent, this volume is based on the work of the Women’s MANGA Research Project, with the individual chapters largely expanding on talks and papers that their authors have presented at conferences organized by the Project since it launched in 2009. The key concept around which it is organized is the idea that manga is “a global medium” – with roots in Japan, but no longer limited to Japan. This means that while it certainly includes several studies of “women’s manga in Japan” (such as Matsumoto Katsuji: Modern Tomboys and Early Shōjo Manga and Hailing the Subject: Visual Progression and Queer Reading in Nananan’s Blue), much of the book’s content specifically pushes the borders of its scope. In this way, the introduction to its first section presents the argument that “the term ‘women’ in the title…does not just refer to biological women but includes other non-masculine subjects, as well.” Later, “manga” is expanded to also include “manga-based cultural products and activities, such as cosplay.” 

“the term ‘women’ in the title…does not just refer to biological women but includes other non-masculine subjects, as well.” 

Similarly, “women’s manga” or “shojo manga” can encompass topics like the representation of Asia broadly and Australia narrowly in Japanese girls’ comics. And the book’s final section, “Asian Women Comics Artists and Their Careers”, with both critical studies of the work of several artists in Japan, China, and Hong Kong, and personal reflections essentially takes Women’s Manga outside “just” manga studies, and really into comics studies much more broadly defined! 

Ed. note: The only review for this book that has been published so far is by Jonathan Clements, in AlltheAnime. In Clements’ assessment, this volume is “a compendium of all the left-overs from the last decade of conferencing”, and “a random collection of essays, less of a book and more like a one-issue journal with a vague pop-culture focus and no style-guide”, although several of the individual essays are quite strong.

Ed. note 2: The previous manga-related book to get a nomination was Boys Love Manga and Beyond: History, Culture, and Community in Japan (2015, University Press of Mississippi – nominated in 2016). Prof. Nagaike was one of that volume’s editors as well.

Manga Studies in the 2019 Eisner Awards – Eligibility

2016 Eisner AwardsThe first months of the new year are, among other things, awards season – definitely for television and film (and animation), with the Golden Globes now finished, the Annie Awards coming up next month, and of course then the Oscars. The academic world does not and will never have anything like these awards ceremonies, but research that deserves recognition can receive it. The Society for Animation Studies presents its Norman McLaren/Evelyn Lambart Award for the best scholarly book and best scholarly article on animation – Marco Bellano received the 2010 article award for “The Parts and the Whole: Audiovisual Strategies in the Films of Hayao Miyazaki and Joe Hisaishi” (Animation Journal18, 4-55), and Tzu-Yue G. Hu and Jonathan Clements were runners-up for the best scholarly book one with Frames of Anime: Culture and Image-Building (2011) and Anime: A History (2015). It also presents the Maureen Furniss Award for Best Scholarly Paper in Animated Media – in 2017, to Jacqueline Ristola, for Realist Film Theory and Flowers of Evil: Exploring the Philosophical Possibilities of Rotoscoped Animation. Similarly, when the Comics Studies Society launched its program of prizes last year, it recognized Andrea Horbinski with an honorable mention in the Best Graduate Student Conference Presentation category for her talk “Something Postmodern Going On: The Queering of the Manga Sphere in the 1970s”, at On Belonging: Gender, Sexuality, and Identity in Japan.

The Eisner Awards – the Will Eisner Comic Industry Awards – are the Oscars of the comics industry and really, the world of comics. But, unlike the Oscars and other awards ceremonies, the Eisners do have a “best scholarly/academic work” category. And the judges for this year’s awards are now accepting submissions for consideration to be nominated for the award in all categories – including this one. There are no formal criteria for eligibility other than that the title had to have been “shipped to retailers in the U.S.” or available online between January 1 and December 31, 2018. (more…)

Manga Studies in the 2016 Eisner Nominations

2016 Eisner AwardsRecently, the judging panel for the 2016 Will Eisner Comic Industry Awards, which will be presented in July at Comic-Con International: San Diego and serve to “[highlight] the best publications and creators in comics and graphic novels” from around the world announced this year’s slate of nominees. As has been the case for years now, manga titles are only honored in the Best U.S. Edition of International Material – Asia category. But, for the first time, a book on Japanese comics has received a Best Scholarly/Academic Work nomination.

Boys Love Manga and BeyondBoys Love Manga and Beyond: History, Culture, and Community in Japan is published by the University Press of Mississippi – which has already contributed significantly to anime/manga studies with God of Comics: Osamu Tezuka and the Creation of Post World War II Manga (2009) and Japanese Animation: East Asian Perspectives (2013). It has been particularly active in comics studies in general – in fact, every year since the Eisners first introduced an award category for academic books on comics in 2012, at least one of their titles has received a nomination.

 

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Books on Manga in the 2015 Eisner Nominations

Comics Through TimeEarlier this week, Comic-Con International announced the full list of nominees for this year’s Eisner Awards, the major form of recognition of the year’s best comics (widely defined), comics artists and creators, and publications related to comics – including periodicals, general interest books, and academic/scholarly works. Five Japanese comics received nominations in the Best U.S. Edition of International Material – Asia category (the 1939-1944 and 1944-1953 volumes of Shigeru Mizuki’s Showa: A History of Japan both received a nomination, so the total number in the category can be six), and Massive: Gay Erotic Manga and the Men Who Make It is a nominee in the Anthology category.

Unlike last year, none of the five books nominated for the Best Scholarly/Academic Work award deal with manga. But, Comics Through Time: A History of Icons, Idols and Ideas is nominated as a Best Comics-Related Work. A comprehensive encyclopedia on a wide range of topics dealing with comics, it focuses primarily on American comic books, but acknowledges that “comics” as a term encompasses a wide variety of approaches and forms. A work of this kind, one that strives to be comprehensive, simply cannot ignore Japanese comics – and so, among the entries in it are several on manga, individual manga titles, and on Osamu Tezuka. (more…)

Manga Scholarship in the Eisners – Conclusion

Over two posts earlier this year, I discussed the list of nominees in the “Best Scholarly/Academic Work” category for the 2014 Will Eisner Comic Industry Awards – two essay collections with chapters on manga, and the International Journal of Comic Art, which has consistently published articles on various topics related to Japanese comics. The 2014 Eisners were announced and presented on July 25 at a San Diego Comic Con ceremony. The title selected to receive the Best Scholarly/Academic Work Eisner was Black Comics: The Politics of Race and Representation (2013, Bloomsbury Academic). The book is an “analytic history of the diverse contributions of Black artists to the medium of comics” – and, as I mentioned when I first found out about it, its scope turns out to include one title that definitely fits under the definition of manga – a comic that is published in Japanese and for a Japanese audience. The comic in question is Felipe Smith’s Peepo Choo, written by a non-Japanese author, but published first in the Japanese magazine Morning 2, and then translated by the author himself for U.S. publication. Casey Brienza (City University London), who has rapidly risen to be one of the most prominent scholars of manga and the manga industry outside Japan discusses it in the chapter ‘Beyond B&W: The global manga of Felipe Smith’. (more…)

Manga Scholarship in the Eisners – Update

In my earlier post about this year’s nominations for the Eisner Awards Best Scholarly/Academic Work category, I mentioned the chapter on nouvelle manga in Drawing From Life: Memory and Subjectivity and Comic Art, and the many essays on Japanese comics that have appeared over the years in the International Journal of Comic Art. But I will be the first one to admit that I missed one more book that I should have mentioned.

Black Comics: Politics of Race and Representation is another of the four books and the one journal nominated in the category this year. The title alone gives no indication that it would be relevant to anime/manga studies. But, as is so often the case with inter-disciplinary essay collections, the title does not adequately represent its contents. And one of the essays in this book is in fact worth bringing up in the context of manga studies.

‘Beyond b&w?: The global manga of Felipe Smith’, by City University London’s Casey Brienza, who is fast emerging as one of the most active and insightful scholars currently writing on manga anywhere outside Japan, is an “in-depth textual and visual analysis” of two works by American comics artist Felipe Smith – the “manga-style” MBQ , which was published in the U.S. along with a number of other “original English language” or OEL titles in the mid-2000’s, and his second, Peepo Choo  – published first in a Japanese magazine, and only then brought back to the U.S. In her analysis, Brienza uses both the publication histories of these two works and their author’s personal background to demonstrate how manga is able to speak to audiences across nations, cultures, and perhaps races – but how these messages are received still varies based on regional or local factors.

Drawing from Life: Memory and Subjectivity in Comic Art – See more at: http://www.comic-con.org/awards/will-eisner-comic-industry-award-nominees-2014#sthash.PMUcWDm1.dpuf

Manga Scholarship in the 2014 Eisner Awards

In academic publishing – in any field or area – how do you differentiate between a good publication – and one that is truly extraordinary? One easy way is through citations – a paper that has been cited a hundred times is probably more influential than one that’s only been cited a couple, or never at all. But in of themselves, citations are not a measure of quality, merely an indication of a connection of some sort between two pieces of scholarship.

Another indicator is awards – the “best paper’ honors that are frequently presented by academic societies and individual academic departments. One such award, for example, is the Stuart L. Bernath Scholarly Article Prize, awarded annually by the Society for Historians of American Foreign Relations to the “author of a distinguished article appearing in a scholarly journal or edited book, on any topic in United States foreign relations” – in 2011, it went to Andrew McKevitt for his “You are not alone!”: Anime and the globalizing of America (Diplomatic History, 34:5).

But awards like these are only really meant to impress a small circle of other academics in the specific field or area, and rarely mean anything to the general reader. Is there something similar that’s directed not at academic departments, but at wider audiences? If there is anything, it’s the Eisner Awards – more formally, the Will Eisner Comic Industry Awards. The Eisners have been presented at the San Diego Comic-Con since 1988, and although they are generally known – and generally meant – to honor comic artists and writers, in fact, they have consistently included a “Best Comics-Related Book” category, and, since 2012, a specific award for the previous year’s Best Educational/Academic Work.

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