One of the most basic things to keep in mind about “anime/manga  studies” is that it is not a discreet or formal academic area, discipline, or subject. It is frequently referred to as a “field” (especially in reviews of monographs and essay collections on anime/manga) – but it is certainly not an established, “institutionalized” academic subject like anthropology or East Asian studies or history. It welcomes different ways of asking questions – and different approaches from different disciplines. And this in turn means that scholars who want to explore anime/manga in their writing are not limited to publishing in only some particular types of journals, although of course some journals may be more open to scholarship on anime/manga than others.

One of the things that my work compiling the “research output” of scholars around the world who write about Japanese animation and Japanese comics allows me to do is to then examine particular types of this kind of work. I can look at publication patterns by specific journal, by year, by country of origin. I can also look at the full universe of published scholarship on anime/manga, and examine particular sub-sets of this universe. And, one particular sub-set that I think definitely deserves a closer look is anime/manga legal scholarship – the academic analysis of legal issues related to the creation, production, distribution and consumption of anime/manga. (more…)