Tag: Mark McLelland

Annual Bibliography of Anime and Manga Studies – 2015 Ed.

Over the more than 10 years now that I have been tracking the development of anime/manga studies as an academic area in general, and new academic publications on anime/manga more specifically, I have presented my work in several different formats. A single fixed list or table was adequate when there were only a few dozen books, book chapters, and journal articles to highlight. But it would not be able an adequate way to present several hundred records. For a while, I was able to add new items to a database presented online using the DabbleDB platform. Since it was discontinued four years ago, I have compiled annual lists of new publications on anime/manga, and announced them at the end of each year. These lists for the years from 2010 to 2014 are now archived in the Bibliographies section of this site, and I plan to continue this work and present similar lists for the years prior to 2010 as well – in fact, the one for 2009 will be up in the next few days. At the same time, this blog now also makes it possible for me to maintain a running list of new publications on anime/manga – so, rather than assembling the list continuously but only releasing it in December or even next year, I can instead make the list of academic publications on anime/manga published this year available to the public right now, and update it continuously as new materials are published.

Annual Bibliography of Anime/Manga Studies, 2015 Ed.

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Highlighting New Publications: Boys Love Manga and Beyond

Boys Love Manga and BeyondAs a particular genre in Japanese comics (and to a lesser degree, animation), Boys’ Love and the related generic/content label of yaoi has attracted significant scholarly attention from English-language scholars of Japanese popular visual culture. Boys’ Love, often abbreviated to BL, refers to texts with homosexual or at least homoerotic romance themes, created primarily by, and primarily for women. Yaoi is used generally for explicitly pornographic fan-created works, depicting sex between male partners, and using characters from established media properties such as novels, films, and anime/manga. Some of the ways that scholars are writing on BL/yaoi can be seen in book chapters such as Suzuki, Kazuko (1998), Pornography or therapy?: Japanese girls creating the yaoi phenomon, in S. Inness (Ed.), Millennium girls: Today’s girls around the world (pp. 243-267), and McHarry, Mark. Girls doing boys doing boys: Boys’ love, masculinity, and sexual identities, in T. Perper & M. Cornog (Eds.), Mangatopia: Essays on manga and anime in the modern world (pp. 119-133), and journal articles like Welker, James (2006), Beautiful, borrowed, and bent: “Boys’ Love” as girls’ love in shojo manga, Signs, 31(3), 841-870, McLelland, Mark (2006), Why are Japanese girls’ comics full of boys bonking? Refractory: A Journal of Entertainment Media, 10, and Pagliassotti, Dru (2008), Reading Boys Love in the West, Particip@tions: Journal of Audience and Reception Studies, 5(2). In addition, out of the less a dozen edited collections of essays on anime/manga that have been published in English before this year, one specifically focuses on “Boys’ Love manga”.

The publication by the University Press of Mississippi of Boys Love Manga and Beyond: History, Culture, and Community in Japan now brings the number of English-language essay collections on shounen-ai/Boys Love/BL/yaoi to two. And the obvious question is – what makes this essay collection unique. Is it anyhow different from the already-published five years ago now Boys’ Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre (Jefferson, NC: McFarland), or is it just more of the same?

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Manga Futures – 6th Int’l Scholarly Conference

Manga FuturesThe University of Wollongong and the International Manga Research Center (Kyoto Seika University) have unveiled the full schedule for this year’s Manga Futures: Institutional and Fan Approaches in Japan and Beyond academic conference. This event will be held at the University of Wollongong, Australia, from October 31 to November 2. It will bring together leading scholars of Japanese comics from around the world for an intensive schedule of keynote and plenary addresses, interviews, and individual presentations arranged in several topical streams, with the broad goal of examining the full scope of “manga culture” and the production, distribution and consumption of Japanese comics. Some of the specific themes the conference’s Call for Papers highlighted included:

• Fan appropriations of and contributions to manga culture in Japan and beyond
• Commonalities and differences in fandom-based creation and criticism between Japan and other countries
• Ethical and legal challenges in the production and consumption of manga (copyright, representations of violent and sexual content, potential fictional “child abuse” images etc.)
• Institutional support for or criticism of manga culture
• The use of manga in Japan studies and Japan language pedagogy
• The future of “manga studies” – theory and methods

Manga Futures 2014 – Schedule (more…)