Tag: Satoshi Kon


Dec
2023

Satoshi Kon (1963-2010) – An Anime Studies Retrospective

categories: Bibliographies

When, around Christmas, journalists and other commentators discuss what they consider to be the most memorable depictions of the holidays and related themes in “global cinema”, one title that consistently finds its way into these discussions is an anime film – Tokyo Godfathers, directed by Satoshi Kon. Kon, tragically passed away from pancreatic cancer on August 24, 2010 at the age of 47. At the time of his death, he was already recognized as one of the most prominent directors working in Japanese animation, and since then, his stature has only grown. Accordingly, while reflecting on the anime that he contributed to, it is also important to mark how anime scholars have approached his work.

Previously, I presented a basic content analysis of scholarly works on Satoshi Kon’s films, with the goal of determining which ones of his films were the most frequently studied. And now, supplementing this, I believe it is also useful to present essentially a comprehensive bibliography of English-language scholarly publications on Satoshi Kon and his works, especially designed to commemorate both the 60th anniversary of his birth, and 30 years since the first such publication.

As with other similar specialized resources, this bibliography is based on materials in the larger Bibliography of Anime and Manga Studies. It is based on searches for relevant terms in various major specialized academic databases, as well as in Google Scholar, and, where possible, direct examinations of relevant publications to identify other cited materials. The earliest article in the bibliography that I am currently away of is dated 1993 – on Kon’s manga World Apartment Horror; the most recent is from earlier this year, on “giallo tropes and gender in Perfect Blue“. Between these are 36 other publications – for a total of 38 – consisting of 1 full-length monograph, 7 chapters in edited essay collections, and 30 individual articles in peer-reviewed scholarly journals. And, with as many as six of these added in just the last two years, it may be entirely safe to assume that non-Japanese scholars will continue to be interested in Satoshi Kon and his works for the foreseeable future.

Satoshi Kon – A Bibliography of English-language Scholarly Publications – 1993-2023-?

2023

2022

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Jan
2023

Studying Satoshi Kon – The Numbers

categories: Commentary

The academic area of interest of “anime studies” welcomes many different approaches and even methods. But fairly consistently, authors who study Japanese animation have drawn on approaches based in auteur theory to emphasize the importance of particular creators/directors.

anime, as a form of postmodern popular culture, can be best understood in the West through a triangulation of different approaches that balance issues of form, medium, cultural context, and individual creators.

Kevin M. Moist & Michael Barthalow, When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso

Somewhat similarly, and although this is definitely changing, a significant percentage of what actually makes up English-language “anime studies” consists of studies of anime feature films. As Mitsuyo Wada-Marciano notes, in a critique of the field, “Big budget anime films such as Metropolis, Princess Mononoke, Ghost in the Shell, and Akira are frequently discussed, along with their contemporary critical themes of technological alienatation, environmental issues, cyborg feminism, and postmodernity, while the majority of TV anime series have been neglected, since an analysis would require an examination of anime’s connections with local audiences and the complex popular culture of Japan.”

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Jun
2019

Highlighting New Publications – Interpreting Anime

categories: New Publications

Until recently, the options open to anyone looking for a general text on Japanese animation – one that could serve as a general explanation and summary, and an introduction to more in-depth approaches and readings – have been relatively limited. Anime from Akira to Princess Mononoke, first published in 2000 and updated in 2005, certainly played this role at the time of its initial publication, but could it still do so almost twenty years later? The essay collection Cinema Anime: Critical Engagements with Japanese Animation (2006) was similarly important, but it too is now dated in many regards. Thomas Lamarre’s 2009 The Anime Machine: A Media Theory of Animation is a major contribution to anime studies – but it is by no means an introductory text. And somewhat despite its title, even the relatively recent Anime: A Critical Introduction is a more complex book than it may at first seem – as it is in fact an introduction to the critical debates and discussions around and about Japanese animation.

This is precisely why Interpreting Anime (University of Minnesota Press, 2018), is a such a welcome addition to the body of English-language scholarly writing on Japanese animation. The author, Christopher Bolton, is a professor of comparative and Japanese literature at Williams College, with a focus on Japanese science fiction in particular, and has been studying Japanese animation since the early 2000’s. So, what exactly does Interpreting Anime add to the growing list of “books on anime”, and, turning this question around, how it is actually useful, and to whom? (more…)


Jul
2017

I Want to Know More – Books on Anime/Manga: A Guided Tour, Part 2

categories: Commentary

In a previous post, I highlighted several books that I think are the best to recommend for someone who really knows almost nothing about Japanese animation/Japanese comics, and wants an introduction that is both accessible and reasonably comprehensive. The titles that I profiled – among them Anime: A Critical Introduction, Dreamland Japan: Writings on Modern Manga, and Manga: Introduction, Challenges, and Best Practices – all strive to be just. But, what kinds of books could I recommend to a reader who is interested not in anime/manga “broadly defined”, but in the work of a particular anime director or manga artist/writer?

Books on Anime/Manga, Part 1: Introductions and Overviews

Books on Anime/Manga, Part 2 – Specific Directors/Creators

Books on Anime/Manga, Part 3: Essay Collections

Hayao Miyazaki

For many people, Hayao Miyazaki is anime/Japanese animation – and this is not unreasonable. Sales figures, critical recognition, awards – and scholarship – all contribute to this, to the point where, as Jaqueline Bernd notes (in her essay “Considering manga discourse: Location, ambiguity, historicity”, in Japanese Visual Culture: Explorations in the Worlds of Manga and Anime): “Non-Japanese scholars tend to assume that his movies are typical as a whole because of their mere presence in Japan; they frequently treat these animated movies are mirrors of Japanese culture, assuming the existence of a homogenous audience, and often implicitly comparing them to Disney products, but they rarely locate them within the history and present variety of animation in Japan.” But, again, just as Miyazaki and his films often serve as points of entry into the “worlds of manga anime”, writing on Miyazaki and his films can serve as point of entry to anime scholarship.

Hayao MiyazakiFirst published in 1999, Hayao Miyazaki: Masster of Japanese Animation – Films, Themes, Artistry is likely the first one on Miyazaki that a reader will come across. It is widely available and easy to read, with a straight-forward organizational scheme that consists of an overview of Miyazaki’s “life and work”, chapters on seven of his movies, from Castle of Cagliostro to Princess Mononoke, each divided into identical sections (“Origins”, “Art and technique”, “The characters”, “The story”, “Commentary”), and a concluding one on “The Miyazaki Machine”. Of course, one thing to keep in mind is that it is almost twenty years old now, and so, simply does not cover either the Oscar-winning Spirited Away, Miyazaki’s other subsequent projects, or his role as the conscience – or vocal critic – of the animation industry in Japan. (more…)


Aug
2015

Annual Bibliography of Anime and Manga Studies – 2008 Ed.: Part 2

categories: Bibliographies

As I mentioned a couple of days ago, I am currently trying out a new way to manage the work-flow that would go into developing a comprehensive listing of English-language academic publications of anime and manga – i.e., the Bibliography of Anime and Manga Studies. Whereas previously, i would work to put together comprehensive lists of all types of publications (books, chapters in edited collections, entries in academic encyclopedia, journal articles, studies/working papers/other grey literature), and only present it once the list was complete, now, I am breaking the final list into major components, and presenting them separately. I presented the directory to/list of articles on Japanese animation (anime) and comics (manga) published in English-language academic journals in 2008 already. Right now, I am also pleased to present a similar list of monographs, edited essay collections, and individual chapters (as well as articles published in “scholarly encyclopedias”, and as grey literature.)

English-language academic publications on anime and manga: 2008, Part 2 – Books, Essay Collections, Book Chapters, etc.  (more…)


May
2015

Annual Bibliography of Anime and Manga Studies – 2009 Ed.

categories: Bibliographies

Since launching this project over a year ago, a significant portion of my work has gone towards presenting materials – such as lists of recent academic publications on anime/manga, that until now, have not been available anywhere publicly. With the lists now complete going back to 2010 – I can begin moving into the project’s next stage. This will involve going back into my own archives and the legacy Online Bibliography of Anime and Manga Research to extract and present lists of English-language scholarship on anime/manga published prior to 2010 – all the to 1977 – the year that the first such paper that I’m aware of was published. And, right now, I am pleased to be able to present the 2009 edition of the Annual Bibliography of Anime and Manga Studies.

As with all other editions of the Bibliography, it is also available as a separate page. Any further updates will be reflected on that page only, not in this post.

Introduction

In terms of new publications on anime/manga, 2009 definitely stood out for the relatively large number of books that were published over the course of the year. These included two separate monographs on the life and works of “God of manga” Osamu Tezuka, Thomas Lamarre’s intensely theoretical The Anime Machine: A Media Theory of Animation, with its strong call to shift the focus in anime studies away from an emphasis on either textual or anthropological/sociological readings, and towards an analysis that builds on the unique qualities of animation as an art form and a way of representation, two separate personal testimonials by anime industry professionals, and even a pair of titles on anime/manga in the Rough Guides series of popular reference handbooks. In addition, the year saw over 20 individual chapters on anime in various essay collections, and some 70 individual peer-reviewed articles, once again in a wide range of journals in fields including animation studies, comics studies, Asian/East Asian/Japanese studies, film studies, education, literature, media studies, and other areas of the humanities and social sciences. (more…)


Feb
2015

Annual Bibliography of Anime and Manga Studies – 2010 Ed.

categories: Bibliographies

To the best of my knowledge, 2010 was simply THE high point to date of English-language scholarly interest in anime and manga, with 10 new monographs, 6 essay collections (with a total of well over a hundred chapters), 29 more chapters in other essay collections, and over 60 individual articles in scholarly-peer reviewed journals.

Particularly noticeable trends this year included:

  • With Open Court Publishing Company’s Anime and Philosophy and Manga and Philosophy essay collections, at accessible price points and distributed to general book stores, an effort to introduce the ideas and practices of scholarly approaches to Japanese animation and Japanese comics to general audiences.

As always, it is possible that this list is not absolutely complete – you are welcome to suggest additional titles to add.

And, as always, this list is also available as a separate page. Any new updates will be reflected on that page only.

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Jan
2015

New Issue – Science Fiction Film and Television

categories: New Publications

sff.7.3_frontAnime, as anime scholars will never tire of repeating, is not a genre, it is a “form” or “mode” of animation, and anime films and television series can include a wide variety of genres. At the same time, it is also true that anime’s stereotypical genre is science fiction. The two films that first really got anime noticed outside Japan, Akira and Ghost in the Shell – are the epitome of science fiction cinema. And so, one of the most common approaches to anime that scholars take it to focus on anime as science fiction.

For example, the only anime director (in fact, the only animator) profiled in Fifty Key Figures in Science Fiction (“a collection of engaging essays on some of the most significant figures who have shaped and defined the genre”, Routledge, 2009) is Ghost in the Shell‘s Mamoru Oshii. “Manga and anime” is a section in the Routledge Companion to Science Fiction (2009). Among the chapters in Science fiction film and television: Across the screens (Routledge, 2012) is one on Cowboy Bebop. And some of the most seminal scholarly essays on Japanese animation to be published in English – among them, Carl Silvio’s Reconfiguring the radical cyborg in Mamoru Oshii’s Ghost in the Shell (No. 77, March 1999), Michael Fisch’s Nation, war, and Japan’s future in the science fiction anime film Patlabor II (No. 80, March 2000), and the three articles by Susan Napier, Sharalyn Orbaugh, and Christopher Bolton in the special issue on Japanese science fiction (No. 88, November 2002 – appeared in the journal Science Fiction Studies – these include).

With this in mind, ever since Liverpool University Press launched the journal Science Fiction Film and Television, the only peer-reviewed scholarly journal I am aware of with that specific focus, I have been looking forward to the kind of scholarship on Japanese animation the journal would feature. Until now, it was limited to reviews of books (and edited collections containing chapters on) anime, as well as one review of a particular anime film. And now, “science fiction anime” is the specific theme of the journals’ new Autumn 2014 issue. (more…)


Dec
2014

Anime Director Bibliographies: Satoshi Kon

categories: Bibliographies

Satoshi KonWhen thinking about the “best”, “greatest”, “most influential”, or even simply “most recognizable” directors of Japanese animation, the first two names are easy – Hayao Miyazaki and Mamoru Oshii. But, beyond those two, who else to name? Using the simple measure of scholarly attention, the third name that comes up is of the late Satoshi Kon. And so, the next item in my new bibliographic project of lists of scholarship on major anime directors will address English-language scholarship on his work.

Kon’s career, first in manga and then in anime, spanned a period of 26 years – from his 1984 debut with the award-winning short comic Toriko, to his death from pancreatic cancer in 2010. But over the course of this career, he directed only four feature films and one anime television series. But, as I demonstrate, these five works have received significant attention in the literature of anime studies. (more…)